Strayed's go-it-your-own ethos and irreverent style make her a recession-era correction to Elizabeth Gilbert-style indulgence.
With innovative casting and no-frills storytelling, Andrea Arnold's film is a breathtakingly fresh interpretation.
This is what immoral reality TV looks like.
'Marina Abramovic: The Artist Is Present' reveals a lot about the most famous living performance artist but says little about her art.
As a woman trying to maintain power, Julia Roberts' campy villain faces a very real struggle.
The ensemble comedy skewers and celebrates how kids screw with relationships.
The women of 'Miss Bala' and 'Martha Marcy May Marlene' are beautiful, but their traumas never provide voyeuristic thrills.
The bestselling memoirist makes an official farewell to the book that made her a star
Why are studio movies beating independent ones in featuring interesting, complicated female characters?