A rookie director, flimsy script, and way too much CGI doom Disney's revisionist fairy tale.
What’s (probably) in store for the final episodes
Bryan Singer's Days of Future Past is the franchise's most ambitious installment to date.
Neither Gareth Edwards's new blockbuster nor the iconic 1956 American edit match the somber power of Ishiro’s Honda’s 1954 Gojira.
Should Gareth Edwards have shown more of his titular monster? Not necessarily. But he shouldn’t have made him a narrative afterthought in his own reboot.
Our roundtable on "Mockingbird," the seventh episode of the fourth season of the HBO show.
The legendary monster is made a supporting character in his very own reboot.
Our roundtable on "The Laws of God and Men," the sixth episode of the HBO show's fourth season.
The Zac Efron/Seth Rogen vehicle is a premise in search of a plot.
Our roundtable on "First of His Name," the fifth episode of the HBO show's fourth season.
The overstuffed sequel to Marc Webb's 2012 reboot collapses under its own weight.
Our roundtable on "Oathkeeper," the fourth episode of the fourth season of the HBO show.
Steven Knight’s one-man film offers Tom Hardy one of his best roles to date.
A book reader reminds other book readers of what’s (probably) to come
The show's latest shocker looks to have been an appalling mistake.
Our roundtable on "Breaker of Chains," the third episode of the HBO show's fourth season.
The new series based on the Coens' film is shockingly good. But can it keep it up?
Our roundtable on "The Lion and the Rose," the second episode of the HBO show's fourth season.
Our roundtable on "Two Swords," the first episode of the HBO show's fourth season.
Marvel's latest offering is among its most ambitious—and most satisfying